Kotoko bronze horsemen - Chad Basin - 1970-90

This expressive pair of bronze equestrian figures is a striking example of small-scale metalwork from the Chad Basin, cast within the iconographic tradition of the Kotoko people. Characterized by a deliberate focus on geometric abstraction, these sculptures depict a nearly symbiotic unity between rider and mount. The horses are reduced to their absolute essence, defined by powerful, conical legs and an elegantly curled snout that flows seamlessly into the reins. The riders feature prominent, layered headdresses and attributes across their backs—elements that reference the high military and social status associated with the equestrian elite across the Sahel region.

Crafted using the traditional cire perdue (lost-wax) technique, each piece possesses a unique, hand-modeled character. The layered, dark reddish-brown patina accentuates the recessed wax threads and textures, while subtle polishing on the friction points reveals the warmth of the copper-rich bronze alloy. An aesthetically and culturally fascinating ensemble that captures the rich equestrian iconography of Central Africa in a monumental, miniature format.

Characteristics

• Culture: Kotoko

• Region: Chad Basin, border region of Chad / Cameroon

• Object: Pair of small-scale equestrian amulets / bronze sculptures

• Material: Bronze / brass alloy with a high copper content

• Casting technique: Traditionally cast using the lost-wax method (cire perdue)

• Dimensions piece 1: 6 x 7 cm

• Dimensions piece 2: 6 x 6.5 cm

• Patina: Even, dark reddish-brown to black oxidation layer with intentionally rubbed friction points on the snouts and legs

• Dating: Late 20th century (c. 1970–1990), manufactured in the traditional Kotoko style

• Symbolism: Representation of elite status, spiritual protection, and military dominance within Sahelian cultures