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Old Lobi Bateba statue from Burkina Faso – spiritual protector

Item 9 of 40
€ 525,00 € 200,00 (including VAT)
Stock 1 pc.
Overview

Authentic Lobi Bateba Sculpture from Burkina Faso

This authentic Lobi Bateba sculpture from Burkina Faso is a remarkable piece of traditional African art and spirituality.

The Lobi believe that Bateba figures are the visible bearers of the power of the thil, invisible spirits that can bring protection, prosperity, and healing. This over 5 kg heavy sculpture is hand-carved from wood and displays the characteristic modest style in which the spiritual essence, rather than external details, takes centre stage.

The deliberately crafted flat abdomen is notable. While some Bateba figures show a full, round belly as a symbol of fertility and wealth, the flat abdomen here refers precisely to spiritual purity, self-control, and inner strength. The figure does not represent material abundance, but a pure connection to the spiritual world. The hands without fingers are also telling. They emphasize that the figure holds no power of its own but acts entirely as a medium for the spirit residing within. This makes the sculpture a modest yet powerful protector, symbolizing calm and stability.

Due to its weathered appearance and the clear traces of ritual use, this Bateba figure carries a strong authenticity. It is made from a very hard wood species, like ironwood.

It is not merely a work of art, but an object that was once part of a vibrant spiritual tradition. This makes it a valuable addition for any collector of African art and ethnographica, or for those who wish to surround themselves with objects that carry more meaning than just aesthetics.

Place this unique Lobi Bateba figure in your interior and let its modest power and symbolism speak. A special piece that exudes protection and soulful inspiration.


Specifications:

  • Material: Very heavy hard wood
  • Height: 71 cm, including base 74.5 cm

  • Weight: 5242 grams

  • Origin: Burkina Faso

  • Dating: 1920-1940

  • Provenance: Acquired in situ by Peter Beaujean

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